PRESS

DOCUMENTA
The Collective Power of Atis Rezistans, Frieze (Feb 2023)
Andrew Durbin, Editors’ Picks: Six Standout Projects from Documenta 15, Frieze (July 2022)
Amritha Amranand, Art of Precarity, Bangkok Post (Oct 2022)
Nadine Khalil, The DIY Chaos of Documenta 15, Frieze (July 2022)
Emily Watlington, Documenta 15 Diary: Beyond Borders, Art in America (June 2022)
Paris Lettau, documenta fifteen, Memo Review (Sept 2022)
Hakan Topal, Beyond the Controversies, Documenta Is a Remarkable Gathering of Voices, Hyperallergic (June 2022)
Stephanie Bailey, documenta fifteen is a sum of its parts, not a single event, Ocula Art (July 2022)
Art Viewer (Sept 2022)
In Pictures: See Photos of the Dizzying Array of Artworks on View at the Highly Controversial Documenta 15 in Kassel, Artnet (June 2022)
documenta fifteen, Installation View, Contemporary &, (June 2022)

PÒTOPRENS
Maymanah Farhat, The Ten Best Art Books of 2022, Brooklyn Rail (Jan 2023)
Victoria Valentine, The 18 Best Black Art Books of 2022, Culture Type (Jan 2023)
Roberta Smith, Four Knockout Group Shows to See Now, New York Times (Oct 2018)
Kaelen Wilson-Goldie, PÒTOPRENS: The Urban Artists of Port-au-Prince, Art Forum (Dec 2018)
Valantina Di Liscia, The Transcendent Spirit of Haitian Contemporary Art, Hyperallergic (Nov 2018)
Amber Jamilla Musser and Maureen Catbagan, PÒTOPRENS: The Urban Artists of Port-au-Prince, Brooklyn Rail (Sept 2018)
Susannah Greenblatt, PÒTOPRENS: Translating Place at the Urban Artists of Port-au-Prince Exhibit, Words Without Borders (Jan 2019)
David D'Arcy, Skulls and Sequins: book celebrates the art of the Haitian streets, The Art Newspaper (May 2022) 

GHETTO BIENNALE
Claire Farago, Entitlements and Entanglements, Art Margins, March 2020
Sandra Delacourt, Ghetto Biennale: Chronicle of a Revolt Foretold, Switch (on Paper), Feb 2020
Sandra Delacourt, Ghetto Biennale: : Chronique d’une Révolte Annoncée, AOC Dec 2019
Brian Fee, Hot Links Leah Gordon, Caribbean Art Initiative, Dec 2019
Ben Cranfield, Is it time to call an end to biennials?, Apollo Magazine (Sept 2018)
Ranu Mukherjee, Connective Tissue, Art Practical, Dec 2017
David McFadden, Haiti artists forge int'l reputation with art made of junk, AP, April 2016
Théophile Pillault, Le Guide VICE de l’Art contemporain, VICE | France, January 2016
Museum of Trance bei der Ghetto Biennale: “I’M LIVING IN A HEAP OF GARBAGE FROM THE 90S”, Linus Volkmann, KAPUT Magazine, October 2015
Trance is a State of Mind: The Ghetto Biennial’s Museum of Trance, Adam Kaplan, 032c, October 2015
Sibyelle Fischer, Atlantic Ontologies: On Violence and Being Human, Caribbean Rasamblaj, e-misferica, vol 12 issue 1 2015
Carolyn Duffey, Ghetto Biennale and “Jalousie en Couleur”: The Politics of Post-Earthquake Aesthetics in Port-Au- Prince, P[art]icipatory Urbanisms, Oct 2015
Serubiri Moses, Haitian Stories of Resistance, Another Africa, Oct 2015​​​​​​​
Michel Oren, Biennials that promote an 'emancipatory politics', World Art, vol 4, No. 2, 277-305, 2014
The Biennale Questionnaire, ArtReview, Nov 2013
Valéry Daudier, Le Nouvelliste, Nov 2013
Wendy Asquith, Haiti’s first national pavilion at the Venice Biennale: anachronism or illuminating opportunity?, Open Arts Journal, Issue 2, Nov 2013
Myriam Vaneshi, The Many Contradictions of a Ghetto Biennale, Hyperallergic, Dec 2013
Katy Beinart, Salted Earth Blog, Jan 2014
David Frohnapfel, The 3rd Ghetto Biennale 2013: Decentering the Market and Other Tales of Progress: A Review, Artlink vol 34 no 1, Feb 2014
Samantha Fein, Sam Fein Blog, March 2014
The Global in the Local, The Daily Serving, March 2014
Ingo Arend, The Power of the word 'biennial', Taz, March 2014
Tom Bogaert, International, Humanitarian, Artist, Activist, Project Inkblot, April 2014
Misal Adnan Yildiz, Platforms of Exchange or Opportunities for Networks, Global Art and the Museum, ZKM, June 2014
Nadine Zeidler, Frieze, February 2012
David Frohnapfel, Caribbean Intransit Vol 1. Issue 2.
Florian Obkircher, Red Bulletin, July 2012
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